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bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher,

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bobdylandaydream:The Psychology of Cinematography: Wes Anderson, David Fincher, Darren Aronofsky, Quentin Tarantino & Stanley Kubrick These are all shots where the emphasis is on the entirety of the shot as a whole and provides a much more distant

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