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gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations

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gothhabiba: “Kodak’s film was so bad at capturing the different hues and saturations of black skin that when director Jean Luc Godard was sent on an assignment to Mozambique in 1977, he flat-out refused to use Kodak on the grounds that its stock was

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